In Andean thought, the concept of Pacha transcends the simple translation of “world” or “time.” According to Illicachi Guzñay’s research, Pacha represents a cosmic order where everything is interconnected: space, time, and life itself. For the Italian public, accustomed to the architectural harmony of the Renaissance, Pacha offers a new way of understanding interior design. It is not just about filling a space, but about creating a microcosm of balance.
The Andean worldview divides the universe into three planes: Hawa Pacha (the upper world), Kay Pacha (this world), and Uku Pacha (the inner world). At SouthAmericanArt, our “native art” is not just decoration; it is a tool for materializing this order. When you choose a tapestry or ceramic with ancestral motifs, you are integrating a piece that respects “cosmic relationality.” Each geometric pattern has a topological location that seeks harmony between the home and the universe.
For the European collector, these pieces represent the opportunity to own an object that is not only aesthetically superior but also philosophically profound. It is an invitation to stop seeing the home as a repository of objects and start seeing it as a personal Pacha, a place where time and space converge in a dance of balance and respect for the sacred.

